Illustrator and writer Matteo Pericoli writes that “looking out a window doesn’t just reveal a cityscape or landscape — it can prompt you to reflect inward, compel you to retrace the steps that have brought you to that particular threshold at that precise moment in your life.”
Matteo Pericoli provides the gorgeous line drawings, which depict the window views of poets who, at one time or another, made their homes in Paris.
by Mario Gerosa
As if we were in a physical space, the exposition progresses through a series of spaces in which the reader can feel comfortable, recognizing a familiar sequence.
TEDxTorinoSalon
«If the architecture of a story were really a building, what kind of building would it be?»
by Manuel Orazi
With his drawings of Manhattan, Matteo Pericoli won New Yorkers over (and then the rest of the world), then went back to Italy, to Turin, to work on architecture, stories, and their relationship.
by Laura Crinò
Stemming from the experience of a workshop with a group of students … this book is a true experiment, starting with the format.
by Diego Molino
“Not being self-conscious, that is the only way poetry manifests itself.”
by Arianna Passeri
Almost magically, even the reader can thus “visit” “The Great Living Museum of Imagination” and discover the secrets behind the construction of a text (and a building).
Matteo Pericoli’s book stems from his “Laboratory of Literary Architecture.”
From Dostoevsky to Ferrante, drawing becomes an alternative form of reading.
by Andrea Fioravanti
It took the multifaceted nature of an architect, illustrator, teacher and writer to discover how to analyze the architecture of a story and transform it with creativity and imagination into a building.